In private beta · Est. 2025

Built for novels, screenplays, and the worlds behind them.

Storyforge is a focused writing workspace for novelists and screenwriters, bringing planning, drafting, characters, and revision together.

342 writers on the waitlist. Currently in private beta.

Draft · Chapter 4 · Scene 2 · "The Boathouse"

The rain had stopped

The rain had stopped by the time Elena reached the boathouse, but the boards were dark and slick underfoot, and she took the last few steps carefully, one hand pressed to the wall. Inside, the smell was of old rope and older water. She stood in the doorway for a moment, letting her eyes find the shape of the thing before she named it.

It was smaller than she remembered. Everything from that year had been smaller when she came back to it — the house on Marley Street, the pond behind the school, her father's study with its single window facing the drive. As if the world had been rebuilt at nine-tenths scale while she was away, and no one had thought to tell her.

1,247 WORDSSAVED · 2 MIN AGO

Draft — the focused writing mode

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Structure

Structure without ceremony.

Blocks that behave like paragraphs but understand chapters, scenes, and figures. Reorder with a drag. No document surgery, no fighting the outliner. The shape of your story emerges as you write it.

The Long Walk Home
Manuscript
Ch 1 — Departures
Scene 1 · The Station
Scene 2 · Late Arrival
Ch 2 — The House
Scene 1 · Marley Street
Scene 2 · Attic Boxes
Ch 3 — Old Friends
Ch 4 — The Boathouse
Scene 1 · The Path
Scene 2 · The Boathouse
Notes
Character · Elena
Timeline
Research

Ch 4 · Scene 2

The Boathouse

The rain had stopped by the time Elena reached the boathouse, but the boards were dark and slick underfoot. She took the last few steps carefully, one hand pressed to the wall.

Inside, the smell was of old rope and older water. She stood in the doorway for a moment, letting her eyes find the shape of the thing before she named it.

Scene heading⌘⇧1
Paragraph⌘⇧2
Dialogue⌘⇧3
Figure
Note in margin
Divider

Chapter 4, Scene 2 · hover a line, click + to open the block menu

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Draft 3 · v.14MAR 12

The rain had just stopped when Elena arrived at the boathouse, but the wood was dark and slick beneath her feet.

Inside, it smelled like old rope and damp water. She stood in the doorway and looked around.

Draft 3 · v.17MAR 14

The rain had stopped by the time Elena reached the boathouse, but the boards were dark and slick underfoot.

Inside, the smell was of old rope and older water. She stood in the doorway for a moment, letting her eyes find the shape of the thing before she named it.

Version compare · changes animate in on view

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Revisions

Revisions you can actually read.

Every draft is preserved. Every change is attributable. Compare versions like you're reading two manuscripts side by side. Not diffing code.

Story Review

AI that read the whole book.

Not a chatbot in the corner. A review pass that understands continuity, character, and craft, from page one to now. Reads like a first editor's letter.

Story Review42,318 WORDS · 14 CHAPTERS
Continuity

Ch 2 · Attic Boxes → Ch 4 · The Boathouse

The scarf Elena finds in the attic is described as "her mother's blue silk." In Chapter 4 it's referred to only as "the scarf." Intentional, or worth a second mention here?

Character

Elena · voice

Elena's interiority sharpens noticeably around Chapter 6. Earlier chapters keep her at arm's length. Consider whether that distance is serving the story — or hiding her.

Pacing

Ch 3 · Old Friends

This chapter runs 22% longer than the surrounding ones and covers the least ground plot-wise. Beautiful writing — but the reader may lose forward momentum.

Story Review · third pass, mid-draft


Who this is for

Built for people who write long.

For novelists

Structure a 90,000-word manuscript without losing the thread. Draft, revise, and finish in one place.

See Draft

For screenwriters

Industry-standard formatting, revision marks, and FDX export, with a modern editor underneath.

See Draft for screenplays

For writers rooms

Real-time collaboration, roles, and version control for shows in production.

See Writers Room

More in the workspace

Everything a serious writer needs, and nothing they don't.

01

Multi-user collaboration

Real-time presence. See who is reading, where their cursor is, and what they've just written. Comments live in the margin, threaded, resolvable.

02

Story Review Engine

A structured pass over the entire manuscript. Continuity, character voice, pacing, unresolved threads. Returned as an editor's letter, not a chat log.

03

World building

Character sheets, locations, timelines, and research live next to the manuscript. Every reference cross-links back to the scenes it appears in.

04

Shared worlds

Multiple books, one universe. Series bibles, tie-in novels, and franchise rooms share a canonical world, one source of truth for names, timelines, and lore.

05

Focus mode

A single, quiet page. The sidebar folds away. The chrome disappears. Just the paragraph you're writing and the two before it. Nothing else.

06

Export & format

Ships to Word, EPUB, Final Draft (FDX), Fountain, and print-ready PDF. Formatting survives export. Your production office will not have questions.


"The first draft of my new novel is the first draft I have not resented writing. It's not the software making me a better writer. It's the software finally getting out of the way."

M. HALLIDAY · NOVELIST · BETA COHORT 02


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342 writers on the waitlist.